![]() ![]() It allows me to start with a WB that is different from Standard, and then further adjust WB as needed. For example, my D600 is converted to IR, and I could create a profile with DNG profile editor and make it the default preset for that camera. The camera profiles for my D200 are more limited - matching the Picture Control options in that camera. There are 31 Camera Profiles to choose from in LR for my Z7II. You can choose from a large number of Camera Profiles - Flat, Neutral, Standard, Vivid, Monochrome, Portrait, Landscape or a large number of creative profiles for special effects. You can add Camera Profiles if they are not there by default.Ĭamera Profiles give you the option to choose from settings similar to the Picture Controls so they are applied by default. In LR you get the Adobe versions, but they also provide Camera matching profiles for the most common settings. What you see initially though is still slightly from what you would see in different raw editor. When you open a RAW file in an editor/viewer It is RAW as you can't get it and still view it. I know it can use recipes, but am not sure if a. I understand the DNG editor just enough to get me in trouble. It can be very time consuming and an exercise in frustration until you get the hang of it.Ĭamera profiles are a VERY deep rabbit hole. ![]() I will occasionally use mine when it is a photo I really love, taken in less optimal light, that I really want to play with. For example if you use a camera profile without the usual contrast curve you will have a bit more leeway with deep shadows, but there is a major trade off in how you do further edits. Some profiles will alter what you can do with a photo. Which profile you decide to use to edit can (usually) be changed after the import depending on the software. In my opinion the initial LR import profile just allows you to view the photo. With some software you can generate your own colour profiles to use in your chosen viewer/converter. You might also look at NikonPC which has a number of profiles that you can test online and download. Usually you can set which colour profile you wish to use for your RAW viewing, you can/should be able to set your output/print colour profile/s as well. View attachment 22837 ART / Rawtherapee, see Preferences/Color Management, select from the list or choose your own. View attachment 22844 XnViewmp has selection of the ICC or ICM profile in Settings/General/ICC, you choose the profile/s from where the files are located and the software then uses those profiles until changed. NX-i can also use profiles not supplied, click on the down arrow of "Default RGB color space" to see the list of profiles available. Nikon NX-i for example has a help site here that lists the supplied colour profiles it can use and how to change them in NX-i. On Windows you might/should find some ICC/ICM profiles in "C:\Windows\System32\spool\drivers\color" to use, see below for NX-i selection. They then need to be installed correctly for the chosen image viewer/converter, see below. I tried to make a 16-bit PNG HaldCLUT from within Rawtherapee, but the resulting PNG is huge (about 12MB).I believe you can find and use the Nikon colour profiles supplied with Nikon NX-i to use them in other image viewers/converters. My question is, to share this work as presets with the community, should I just share pp3 files, or make HaldCLUTs? I tried first to emulate the Classic Chrome preset, and I think I got something pretty close to what the in-camera development produces. ![]() Then I can load the raw file with neutral preset, check “Tone curve” and “Look Table” From the DCP profile in color Management, and work with L* curve, LH, HH, SH and VH equalizers to tweak the levels, contrast and colors. Hi and Std, and the different monochrome versions). To achieve this goal, I took shot a ColorChecker in raw+jpeg fine, going through each color preset from my Fujifilm X-T1 (Provia, Velvia, Astia, Classic Chrome, PRO Neg. I’m trying to emulate the Fujifilm Film simulation presets for use with Rawtherapee. ![]()
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